God, A Monster Calls is tricky to review. The final half an hour is so raw...
Seattle grunge rockers Pearl Jam can sell out pretty much any venue, and that is true...
Two comedians, father and son, are brought crashing back together in this...
It’s 15 years since the release of Get Born...
The future of theatre is technological and exciting and boundary-pushing....
Many of us are fascinated by our family history. We’ve all drawn out...
In partnership with St Mary’s University, the Orange Tree...
Written by Ella Hickson and directed by Dominique Chapman,...
By the time the sun begins to dip below...
Róisín Murphy ends Somerset House’s Summer Series this evening with...
British Summer Time brought...
In celebration of the centenary of the Royal Air Force (RAF), co-directors David Fairhead and...
Back in London for the first time since the...
The exhibition Christian Dior: Designer of Dreams, will open next year at...
Generation Wealth is billed as a documentary about the evolution of money and class over...
Audiences love stories of triumph, of personal development and of justice served. Naturally,...
From its derivative and unapologetically mindless opening, Steve C Miller’s Escape Plan 2 is set...
An ode to pre-Hitler era composers of 1920s and 30s...
A kooky, old-fashioned American, puppets-meet-Broadway kind of...
Normally known for emerging in the winter...
This has been a great year for horror, dominated by a few strong titles that...
Let’s make no bones about it; this is a show about...
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