The Return
With an oppressive dose of foreboding and twists that keep the viewer guessing until a climactic finale, Oliver…
By Thomas DavidsonWith an oppressive dose of foreboding and twists that keep the viewer guessing until a climactic finale, Oliver…
By Thomas DavidsonWith the Roundhouse theatre in North London packed full of male thirty-somethings wearing tartan shirts, the chances of…
By Thomas JordanFilms fail for lot of reasons: underdeveloped characters, poor performances, bad writing – there’s nothing strange about…
By Joel SternOn walking into the first room of The World Goes Pop, anyone from a sulky teenager to an…
By Thomas JordanIf only as much effort could go into stage setups as Take That put into theirs for the…
By Steven WhiteFollowing a successful run at Richmond’s Orange Tree theatre, Alistair McDowall’s latest play, Pomona, brings its bold, dystopian…
By J A ClarkeIn the first minute of French actor/director Jamel Debbouze’s Animal Kingdom: Let’s Go Ape, you know that…
By Scarlet HowesLessons in Love (US title Some Kind of Beautiful) is a rom-com that is somewhat lacking in “rom”…
By Joel SternHangmen is the title of maverick Martin McDonagh’s new play, a story about one semi-retired hangman (Harry), his…
By Charlie BuryIt's hard to believe that Ellie Goulding has already released 20 singles, six of them as a featured…
By Steven White