Young Frankenstein at the Garrick Theatre
This musical adaptation of Mel Brooks’s 1974 horror-comedy film is a laugh-out-loud, innuendo-laden experience that doesn’t take itself…
By Joseph IrwinThis musical adaptation of Mel Brooks’s 1974 horror-comedy film is a laugh-out-loud, innuendo-laden experience that doesn’t take itself…
By Joseph IrwinOriginally choreographed by the legendary Marius Petipa, Kenneth MacMillan’s direction of the quintessential 19th-century classic ballet The Sleeping Beauty remains true to the great…
By Marissa KhaosThe party's over. Skipping through a hefty hat-trick of race, class and mental health, Polly Stenham's theatrical homage to Made in…
By Connor CampbellAs you enter the smaller auditorium downstairs at Hampstead Theatre, you are faced with the alienating experience of…
By Daniel AmirNewton Faulkner was a fairly big deal about ten years ago. He had two number one albums between 2007…
By Joseph IrwinThis double bill of works by the Swedish writer Lars Norén falls flat at the Print Room. Well-staged…
By Jim Compton-HallKiller Joe has courted controversy since news of its revival at Trafalgar Studios. The very first play of much-since lauded…
By Laura FoulgerA quarter of a century has passed since the release of Jurassic Park, and it seems that the…
By Mersa AudaFollowing four loosely connecting plots that centre around the escape of a serial killer – a heist gone…
By Andrew MurrayRealism shouldn't be the default mode for telling working-class stories. It creates a genre, a type of theatre, that others…
By Connor Campbell