The Sugar Syndrome at Orange Tree Theatre
Anything set in the early noughties is now a period piece. The Sugar Syndrome half-embraces this status. Oscar…
By Connor CampbellAnything set in the early noughties is now a period piece. The Sugar Syndrome half-embraces this status. Oscar…
By Connor CampbellThis is a West End version of Uncle Vanya, staring names you'll recognise, in a translation by a…
By Connor CampbellScrubbing, brushing, sloshing, wailing: these are the sounds that open Lucy Kirkwood’s The Welkin. A symphony of housework.…
By Connor CampbellMiriam Battye's Scenes With Girls is the kind of show that feels like it'd start off as a…
By Connor CampbellA Kind of People was announced months ago. So long ago, in fact, that Theresa May was still…
By Connor CampbellThere's a blueprint for most revivals or adaptations at the Almeida. Lots of glass divisions. A context-free "modern’"…
By Connor CampbellFairview is theatre as guerilla warfare. A reminder of what the artform can do when allowed. It also…
By Connor CampbellIt's rare that audiences are presented with a positive image of the online world, especially in 2019, when…
By Connor CampbellIt is already a known fact that Bijan Sheibani (Barber Shop Chronicles, Dance Nation, The Brothers Size) is…
By Connor CampbellIt's painful to say this as someone who, as a child, rewatched the BBC's adaptation of the book…
By Connor Campbell