“It’s not easy being a princess,” sighs Felicity Dean as she sweeps...
This uniquely dark romantic comedy makes for a hilariously twisted...
At its best the Gate Theatre’s production of Falk Richter’s Trust...
Dust is basically like a millennial A Christmas Carol, but if Ebenezer Scrooge was dead...
Adam Scott-Rowley is already a powerhouse of theatrical...
The Hope Theatre’s sixth in-house production, Robin Hooper’s Foul...
Joan Lindsay’s 1967 novel about the disappearance of three schoolgirls...
EM Forster’s elegant prose style, one of the greatest features of his...
Jonathan Munby’s production of Frozen is the kind where the...
Chris Goode’s stage adaptation of Derek Jarman and James Whaley’s cult...
Simon Leys’s novella, The Death of Napoleon, is the latest text to be...
Developed by Peut Être Theatre in partnership with GOSH Arts, patients and...
She is boiling. Her facial expressions are threatening him. Us. The man brandishes...
Is Prospero a man or woman? Is he Miranda’s father or mother?...
In our culture breasts are a battleground, the ultimate object of sexualisation and...
BBC film critic Mark Kermode has a helpful maxim...
“If it gets difficult – and it will get difficult – I want you to...
Boy, oh boy, oh boy. The York Realist is the kind of play that takes...
Paul Hunter is the artistic director of acclaimed theatre company Told By an...
Racism at the Academy Awards is not news anymore, but in the America of...
As is widely known, misery loves comedy. There are scholarly...
A robot’s sole purpose is to be useful to humans. But what possible use could...
Curiosity killed the cat, or was it ignorance? It depends from...
Be Prepared is a minimalistic, immersive one-man show about death. Tom (Ian...
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