Matthew Dunster’s Much Ado About Nothing begins with a cloud...

Experimental theatre comes with a heavy bag of risk that can either turn into magic...

Oliver Cotton’s new play offers an evening of sparkling debate with a gritty...

Katherine Nesbitt is a director originally from Belfast. She studied in...

July’s a pretty savvy time to revive Enda Walsh’s Disco Pigs. The...

The world premiere of Twilight Song, Kevin Elyot’s final play, sounded out like...

It’s rare that a play turns into an olfactory experience. Yet in an...

On the surface, it appears that Vivienne Franzmann’s Bodies is going to...

You know Delilah. Or your sister is a bit like her. Or your friend, the...

Matthew Dunster’s adaptation of Charles...

Deftly marketed as an untold gay love story from World War Two, Yank! lands at...

After a phenomenally successful season at the Swan Theatre in...

The Kids Company collapse back in 2015 provided an ugly...

This year’s Pride parade in London attracted the largest crowds in its 45-year...

The View from Nowhere narrates the journey of biochemist Prez, and his...

Dishing out themes of love, sensuality and lustrous craving, Steve Roger’s Food is...

Kentarō Kobayashi impressed us tonight with...

The British comedy sketch is a unique...

The Sadler’s Wells Theatre at present can be defined by two...

A satire of the famous movie by Potted Potter director Daniel Clarkson has begun its...

Artistic director Laurence Boswell continues to swim against Brexit...

A steady trickle of openings leads to a mid-summer stunner in the final week of...

Blondel is a very English kind of musical: buxom washerwomen, monks and even Robin...