This Samuel Beckett double bill at The Old Vic is as...

At just under an hour’s worth of unrelenting,...

Grime isn’t an isolated phenomenon, nor is it only relegated to one class or ethnic...

Janice Okoh’s intriguing new play takes inspiration from the story...

Paul Schoolman takes on the exciting and risky feat of bringing to the stage...

Kunene and the King is set in present-day South Africa, 25 years...

Faustus: That Damned Woman is a hugely successful lesson in...

VAULT Festival 2020 is off to a smashing start with an exceptional entry by...

Anything set in the early noughties is now a period piece. The Sugar...

Roco Venna’s simple set for Sex/Crime consists of a red couch covered in PVC...

There have been innumerable versions of Shakespeare’s plays, especially...

This is a West End version of Uncle Vanya, staring names you’ll...

Seeking a positive story out of broken bridges that turn the sea into a thick,...

Poetry meets grime meets funny meets hip-hop meets fables meets...

Scrubbing, brushing, sloshing, wailing: these are the sounds that open Lucy...

Created by eminent writer Cormac McCarthy, The Sunset Limited primarily revolves around...

After two years on Shaftesbury Avenue,...

Miriam Battye’s Scenes With Girls is the kind of show that...

The latest colourful theatrics from Canadian contemporary...

The Process isn’t as long as it sounds. In fact, at 95 minutes, it is...

“He dances by in his fancy clothes, and he stares at me down his perfect...

Combining a critique of beauty obsession with a story about a cult, The...

The Girl with Glitter in her Eye tells a story of the complex...

A contemporary and innovative...