Bringing Christmas home early, White Christmas at the Dominion Theatre is a...

It’s painful to say this as someone who, as a...

Shakespeare’s historical plays invariably offer plenty of food for...

Henry VI (Jonathan Broadbent) is a gentle king whose frailty provokes...

Cecilia Knapp’s Losing the Night, a fine play with plenty of great...

The hugely anticipated musical & Juliet makes its debut at the...

In the silence of waiting for something, music can be a...

This one-woman play, written and performed by Janet Behan and...

Tales of survival have an appeal like no other type of...

The opening moment of RSC’s Measure for Measure at the Barbican sees...

Have you ever seen someone swallow six swords? You will if you...

Living in the shadow of the original 1964 movie Mary Poppins isn’t...

Artistic director Tom Littler’s modernised...

Brother Insect is a simple and playful attempt by two...

It’s 1979. Parliament is gridlocked. James Callaghan’s...

After setting up the collaborative group of patrons, artistic directors and...

Nosedive is the Barbican’s co-production with physical theatre company Superfan....

Shakespeare is often updated or re-imagined in order to feel relevant...

If you choose to be present online, you can be seen and even manipulated. This...

Sequins, colourful feathers and masterly dance moves: Jay Gatsby is in town...

Eugene O’Hare’s debut The Weatherman drew mixed reactions but...

It might be set in the late 1930s, but Reputation is undoubtedly a musical for...

Mozart’s singspiel opera Die Zauberflöte (The Magic Flute) centres...