The opening moment of RSC’s Measure for Measure at the Barbican sees...

Have you ever seen someone swallow six swords? You will if you...

Living in the shadow of the original 1964 movie Mary Poppins isn’t...

Artistic director Tom Littler’s modernised...

Brother Insect is a simple and playful attempt by two...

It’s 1979. Parliament is gridlocked. James Callaghan’s...

After setting up the collaborative group of patrons, artistic directors and...

Nosedive is the Barbican’s co-production with physical theatre company Superfan....

Shakespeare is often updated or re-imagined in order to feel relevant...

If you choose to be present online, you can be seen and even manipulated. This...

Sequins, colourful feathers and masterly dance moves: Jay Gatsby is in town...

Eugene O’Hare’s debut The Weatherman drew mixed reactions but...

It might be set in the late 1930s, but Reputation is undoubtedly a musical for...

Mozart’s singspiel opera Die Zauberflöte (The Magic Flute) centres...

To make humanity visible and capable of moving the heart and the mind...

Somewhere between a Ted talk and The Big Bang Theory sits God’s Dice, David...

Slackers in a retro music store sing their hearts out in the rambunctious...

A badass, all-female cast come together in...

First things first: the new Boulevard Theatre is lovely. Yes, it maybe...

“In the end, all of this will be unnecessary,” says Walstonecraft (Guy...

Dirty Crusty, written by Clare Barron, follows the life of Jeanine (Akiya Henry),...

Annie Baker’s The Antipodes is like micro-dosing stories at a...

If we were to keep as much as we like of Kimberley Sykes’s Shakesperian...

With bubbly music and lyrics by George Stiles and Anthony Drewe, Soho...