Food & Drinks
Lima in Fitzrovia: Vibrant Peruvian colours and flavours in London’s culinary heart
Lima hit the headlines in 2013 when it became the first and only Peruvian restaurant to win a…
By Filippo L'AstorinaCulture
Latest
Cinema & Tv
Vita & Virginia premiere, Chanya Button: “Our film defies convention”
Vita & Virginia, the latest feature from director Chanya Button, charts the love affair between one of the…
By Rosamund Kelby
Dance
The Idiot – Saburo Teshigawara & Rihoko Sato at the Print Room at the Coronet
Like many works of a literary canon, Dostoevsky’s great novel The Idiot, and his personal favourite, is punctured…
By Marissa Khaos
Theatre
Drip Drip Drip: An Interview with Pipeline Theatre
“Gaining access to the big issues through the back-window of "unremarkable" lives.” Pipeline Theatre have six plays to…
By Laura Foulger
Play
Homegrown Festival – Occupy at Battersea Arts Centre: Four Women and She’s a Good Boy
Part of the Homegrown Festival: Occupy, Four Women – presented by notable British-Nigerian poet and vocalist Dylema – is a…
By Catherine Sedgwick
Play
Homegrown Festival – Occupy at Battersea Arts Centre: Oi Barman and Post
Battersea Arts Centre is hosting Homegrown Festival: Occupy, a four-week exploration of fresh perspectives through theatre, music and…
By Mersa Auda
Play
Homegrown Festival – Occupy at Battersea Arts Centre: High Rise eState of Mind and Frankenstein: How to Make a Monster
Battersea Arts Centre, a converted town hall, is playing host to the Homegrown festival this spring, a four-week…
By The editorial unit
Theatre
Henry Paker: Man Alive at Soho Theatre
During an introspective moment at the end of his show, Henry Paker mentions that he has only included…
By Cleo Henry
Art
Tate Britain Commission 2019: Mike Nelson at Tate Britain
The soaring, neo-classical grandeur of the Duveen Galleries in the heart of the Tate Britain has provided a…
By The editorial unit
Movie
Vita & Virginia opens the BFI Flare Film Festival
After decades of LGBT themes being whitewashed in period and even contemporary dramas, it seems the cinema industry…
By Sarah Bradbury