Emilia at the Vaudeville Theatre
It's all about that ending. Clare Perkins's eldest Emilia, delivering a chest-thumping, arm-raising, hollering feminist sermon, urging those…
By Connor CampbellIt's all about that ending. Clare Perkins's eldest Emilia, delivering a chest-thumping, arm-raising, hollering feminist sermon, urging those…
By Connor CampbellDownstate is an agonising, desperate, gripping experience. Brought over from Chicago by the legendary Steppenwolf Theatre Company, Bruce…
By Connor CampbellIn a formula concocted by none other than Idris Elba (and co-created by Gary Reich), the actor himself…
By Mary-Catherine Harvey“What is it and when does it start?” David Tomlinson (Miles Jupp) asks the bemused audience. He has…
By Georgie Cowan-TurnerJordan Peele’s astonishing, audacious follow-up to Get Out does not disappoint. Us follows a vacationing family tormented by…
By Musanna AhmedAt their only London date, fast-rising Irish band Picture This satisfied a wide spectrum of expectations. There was…
By Cristiana FerrautiThe Shape of the Pain is the brainchild of director Rachel Bagshaw and writer Chris Thorpe. Based on…
By Daniel McLeodPhil Willmott’s interpretation of Othello is a bit of a mixed blessing. There is much to be adored…
By Michael HiggsDirector Bing Liu’s debut feature-length documentary is a strikingly perceptive and sad portrayal of lower-middle class life in…
By Selina BegumA great, thoughtful show that’s perhaps a little too smart for its own good. James Phillips’s The Rubenstein Kiss…
By Jim Compton-Hall