As Feste, fool to the countess Olivia and fourth wall buster in chief of...
From director Kelly Ann Stewart, Park Theatre’s Gawain and the...
When you think of the theatre at Christmas, what comes to mind is...
Mischief Theatre and their Cornley Drama Society alter-egos are...
Moor Hall, the three Michelin-starred...
On 13th December, London-based eatery...
Released last month, Beyond the Edge documents Edmund Hillary and Tenzing Norgay Sherpa’s...
Ahead of its release, British singer-songwriter David Gray streams...
In 2004, Gupreet Kaur Bhatti’s Behtzi (Dishonour), was cancelled after...
Keeping Rosy is a difficult film to write about, since it is highly recommended that...
In a tribute to Rik Mayall, Copeland MP Jamie Reed argued that Mayall had far...
“Depending how I feel tomorrow morning, I’ll either slash my...
The Time Being, Nenad Cicin-Sain’s filmmaking debut starring Frank Langella, is the story of...
Rock the Ballet is not aimed at those who appreciate fine culture in fine...
It’s a little hard to define exactly what folk art is, but we know it...
This debut by Anna Whitwham is just begging for a few puns – and, never...
As Feste, fool to the countess Olivia and fourth wall buster in chief of Shakespeare’s immortal farce of identity confusion, Michael Grady-Hall enters in about as extravagant a fashion as one would wish. A cable-bound crooner in a shock of pale face paint, Hall is suspended far above the stage to deliver...





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