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The second feature in Josh O’Connor’s double bill at this year’s Cannes competition is Kelly Reichardt’s The Mastermind. At first glance, its depiction of...
Lynne Ramsay’s Die, My Love plunges deep into Southern Gothic territory, set...
After the success of his BAFTA-nominated short film Wren Boys, we finally see...
I Only Rest in the Storm, the second feature from Portuguese...
Growing up without a mother is difficult enough. One can’t even begin to...
With Jaws approaching its 50th anniversary, it’s tempting to watch any...
Rather than trying to recreate Godard’s anarchic style, Richard Linklater...
At Cannes’ 2022 edition, Chie Hayakawa’s Plan 75 won a Special Mention for the...
Juno Mak’s Sons of the Neon Night is a paradox of a film –...
Harris Dickinson made his Cannes debut three years ago as the lead in Ruben...
There’s a primal tension in Wild Foxes (La danse des renards), Valéry...
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