Cannes
Fjord
Romanian director Cristian Mungiu asks the important questions at this year's festival. What is violence: where does it…
By Selina SondermannCannes
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Cannes
Victorian Psycho
Zachary Wigon's Victorian Psycho wears its influences so openly that the title alone feels like a punchline. Adapted…
By Christina Yang
Cannes
Dora
July Jung's Dora takes its cue from Freud's notorious 1900 case study of the same name, but shifts…
By Christina Yang
Cannes
Moulin
László Nemes's Moulin opens in March 1943 with Jean Moulin (Gilles Lellouche) parachuting into Nazi-occupied France from London.…
By Christina Yang
Cannes
Karma
Guillaume Canet's Karma opens in a windy seaside town in northern Spain, where the disappearance of a young…
By Christina Yang
Cannes
Ashes
Directed by Diego Luna, Ashes (Ceniza en la boca) tells the story of Lucila (La Cocina's Anna Díaz),…
By Selina Sondermann
Cannes
Hope
Just when most critics had written off the competition at the 79th edition of Cannes as samey and…
By Selina Sondermann
Cannes
Visitation
Never quite getting the recognition his contribution to the film canon deserves, Volker Schlöndorff's body of work crowns…
By Selina Sondermann
Cannes
A Girl’s Story
Judith Godrèche's adaptation of Annie Ernaux's 2016 memoir returns to the summer that would come to define and…
By Christina Yang
Cannes
The Beloved
Spanish competition entry The Beloved (El ser querido) practically picks up where last year's Cannes Grand Prix winner…
By Selina Sondermann