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Emmanuelle Marre’s A Man of His Time opens in September 1940 at a drunken gathering of French collaborators, with a woman complaining that her...
Happy as Lazzaro has a timeless quality. It’s...
Gaspar Noé seems to have a penchant for shocking audiences with his trippy films...
A strange and sinister force has taken up...
Jafar Panahi’s 3 Faces is pared, thoughtful and a little indulgent....
Gallingly high-minded and absolutely superficial, this is a wildly...
This is a strange, almost naïve film that plunges a...
What would the amorphous Emmanuel Macron make of Stéphane Brizé’s...
Technically impressive, gradual and ethereal,...
To say that Panos Cosmatos shocked and thrilled audiences with Mandy, this evening,...
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