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Berlinale

#Manhole

A particularly welcome surprise at this year’s Berlinale is its embracing of broader genres. While the Panorama section…

By Selina Sondermann
Berlinale

Music

In long takes and mostly wide shots, the camera adheres to the contrariness of the Greek landscape: the…

By Selina Sondermann
Berlinale

Mal Viver (Bad Living)

How to sum up acclaimed Portuguese director João Canijo’s latest achievement in a single word? Slow. But using…

By Oliver Johnston
Berlinale

Infinity Pool

Horror is a genre that invites harsh and fairly definitive (if subjective) reactions: either the work is scary,…

By Oliver Johnston
Berlinale

Allensworth

It’s difficult to imagine the sort of people who might happily sit down to watch Allensworth in a…

By Oliver Johnston
Berlinale

Xue Yun (Absence)

2022’s Berlinale featured the Chinese film Return to Dust, approved and endorsed by the country’s government. Several months…

By Oliver Johnston
Berlinale

Golda

Not only is Israeli film director Guy Nattiv a regular at the Berlinale, his work has traversed almost…

By Selina Sondermann
Berlinale

Past Lives

It speaks to the immense quality of Past Lives that, despite premiering at Sundance earlier in the year,…

By Selina Sondermann