“Empathy is about the best tool to help shift opinions”: Director Phyllis Nagy on Call Jane
Call Jane is one of those pieces of American cinema that seem to come around at just the…
By Matthew McMillanCall Jane is one of those pieces of American cinema that seem to come around at just the…
By Matthew McMillanAfter years of attending the London Film Festival as a young lad, Fridtjof Ryder finally makes his feature-length…
By Mae TrumataHugo Blick’s western miniseries, The English is something of a meeting of subgenres. The sweeping odyssey of Emily…
By Matthew McMillanWith The African Desperate, Martine Syms channels her skills as a visual artist and her experience of the…
By Sarah BradburyEach year, during the lead up to Mardi Gras, the Island of Haiti celebrates its history and the…
By Matthew McMillanThe first we see of Daniel Craig’s Benoit Blanc, the world’s greatest detective, in Glass Onion: A Knives…
By Matthew McMillanBased on the 2019 book of the same name by Megan Twohey and Jodi Kantor – the New…
By Umar Ali2019's Knives Out saw Rian Johnson nudge Agatha Christie’s golden age murder mystery template into the 21st century,…
By Matthew McMillanThe surprise film screened at this year’s London Film Festival was The Menu. Directed by Mark Mylod and…
By Selina SondermannThe Banshees of Inisherin is the new Irish dramedy that reunites acclaimed playwright and filmmaker Martin McDonagh with…
By Sarah Bradbury