Special

LATEST ARTICLES

• 

  Read More
  Berlinale

  Red Moon Tide (Lúa vermella)

  Lois Patiño delivers a slow-burning mediation in Red Moon...

  Mary-Catherine Harvey 26th February 2020
• 

  Read More
  Berlinale

  Pompei

  Set in a rural, bleak and deserted environment where adulthood and society are...

  Bev Lung 26th February 2020
• 

  Read More
  Berlinale

  Last and First Men

  Based on Olaf Stapledon’s 1930 science fiction novel of the same name,...

  Selina Sondermann 26th February 2020
• 

  Read More
  Berlinale

  Interview with Bad Tales (Favolacce) directors Fabio and Damiano D’Innocenzo

  The D’Innocenzo brothers bring to this year’s...

  Joseph Owen 26th February 2020
• 

  Read More
  Berlinale

  The Trouble with Being Born

  Sandra Wollner’s second feature film offers a disturbing...

  Ruth Beddow 25th February 2020
• 

  Read More
  Berlinale

  Digger

  Nikitas Kontaxis (Vangelis Mourikis) is a reclusive farmer, living and working in a...

  Selina Sondermann 25th February 2020
• 

  Read More
  Berlinale

  Shirley

  Upon its publication, Shirley Jackson’s short story The Lottery provoked New...

  Joseph Owen 25th February 2020
• 

  Read More
  Berlinale

  The Woman Who Ran press conference: Improvisation, affairs, and storytelling

  Parasite‘s recent Oscar glory was not...

  Oliver Johnston 25th February 2020
• 

  Read More
  Berlinale

  My Little Sister (Schwesterlein)

  A fellow critic described this film as “relentlessly...

  Joseph Owen 24th February 2020
• 

  Read More
  Berlinale

  Servants (Služobníci)

  Where moving pictures meet Rachmaninoff and the past stands to...

  Marissa Khaos 24th February 2020