LFF
I Lost My Body (J’ai Perdu Mon Corps)
It’s the simplest of stories that manage to tug most powerfully at the soul, and I Lost My Body…
By Mary-Catherine HarveySpecial
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LFF
Waiting for the Barbarians
Ciro Guerra’s Waiting for the Barbarians is a new departure for the director. His first picture in English,…
By Malin Hay
LFF
The Antenna (Bina)
Tapping precisely and unceasingly into our collective fears in the age of information, Orçun Behram brings us The…
By Mary-Catherine Harvey
LFF
Bad Education
The fundamental failings of the American Dream, with all its institutional loopholes for those audacious enough to think…
By Mary-Catherine Harvey
LFF
Monos
In an environment far, far away from any westernised form of society, eight youths, trained as deadly militia,…
By Guy Lambert
LFF
Zombi Child
Zombi Child is a beautifully gruelling aesthetic trip. Director Bertrand Bonello shifts between the cerebral and the grotesque…
By Mary-Catherine Harvey
LFF
Leap of Faith: William Friedkin on The Exorcist
Aside from the confirmation that 84-year-old filmmaker William Friedkin has aged exceptionally well, what Alexandre O. Philippe’s new…
By Guy Lambert
LFF
Bombay Rose
Bombay Rose is an intriguing picture. Primarily following the romantic exploits of a flower seller (Geetanjali Kulkarni) as…
By Guy Lambert
LFF
On a Magical Night
For the most part, Christophe Honoré's latest film is cheeky and charming and delightfully French. On a Magical…
By Rosamund Kelby
LFF
Clemency
Death row is a dark place for any inmate and Chinonye Chukwu’s Clemency bars no holds when letting the…
By Guy Lambert