LATEST ARTICLES

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  Berlinale

  Shooting the Mafia

  Can a series of photographs fight back against tyranny and a culture of...

  Laura Ewing 9th February 2019
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  Berlinale

  “Our project is very much politics on a small-scale family basis. Parents are the reason the children are the way they are”: An interview with Acid director Alexander Gorchilin
  Mary-Catherine Harvey 9th February 2019
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  Berlinale

  Easy Love

  Tamer Jandali’s Easy Love plays out largely like a “normal” film. It...

  Fenja Akinde-Hummel 9th February 2019
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  Berlinale

  Öndög

  The Öndög of the title refers to the local name for a fossilised, fertilised...

  Oliver Johnston 8th February 2019
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  Berlinale

  Buoyancy

  Drawing upon the harsh realities of modern slavery in South East Asia, Australian...

  Ezelle Alblas 8th February 2019
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  Berlinale

  Acid (Kislota)

  Alexander Gorchilin dedicates his directorial debut to “mums and dads”....

  Mary-Catherine Harvey 8th February 2019
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  Berlinale

  Light of My Life

  It’s one thing to face the challenges of raising a child as a single...

  Mary-Catherine Harvey 8th February 2019
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  Berlinale

  Homing (Querência)

  Animals loom thoughtfully in director Helvécio Marins Jr’s film. They...

  Oliver Johnston 8th February 2019
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  Berlinale

  Fourteen

    Everyone has that friend who has been there since what feels like the beginning....

  Mary-Catherine Harvey 8th February 2019
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  Berlinale

  Tremors (Temblores)

  In Temblores, or Tremors, we are transported to Guatemala City where...

  Sarah Bradbury 8th February 2019