Matthias & Maxime: Dolan brings to Cannes a work of force and fierce emotion
Xavier Dolan brings to Cannes a work of force and fierce emotion. It deserves to be earnest. Dolan…
By Joseph OwenXavier Dolan brings to Cannes a work of force and fierce emotion. It deserves to be earnest. Dolan…
By Joseph OwenZu Feng's Summer of Changsha is a mystery thriller, revolving around a detective, A Bin (Feng), who's on the…
By Sam GrayFew filmmakers are as capable of uniting the past and present through their cinema as Bertrand Bonello. His…
By Sam GrayThe Climb is an outlier in the modern American comedy landscape, in that it actually seems to have…
By Sam GrayWhile Fire Will Come may be difficult to parse on first glance – so specific is its milieu…
By Sam GrayIs there anyone else quite like Bong Joon-ho? A graduate of the kinetic Korean New Wave of the…
By Sam GrayQuentin Tarantino has returned to Cannes 25 years after Pulp Fiction premiered in competition. Once Upon a Time……
By Joseph OwenWhen travelling to an isolated lighthouse, borne against scheming waves and mutinous storms, expect to stay a while.…
By Joseph OwenA somewhat charming French comedy in its own right, the major problem with La belle époque is that its premise…
By Sam GrayIra Sachs’s latest film Frankie is defined by a proximity to death. Isabelle Huppert stars as the titular…
By Joseph Owen