Special

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Venice
Tár
★★★★★

Should there be any lingering doubts about Cate Blanchett’s acting prowess, the...

Filippo L'Astorina, the Editor 2nd September 2022
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Venice
Living
★★★★★

At a festival where the selection comprises exclusive premieres, Living stands out as...

Laura Denti 1st September 2022
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Venice
White Noise
★★★★★

It’s often been said that White Noise is unfilmable. Taking on such a...

Filippo L'Astorina, the Editor 1st September 2022
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Cannes
Honk for Jesus. Save Your Soul.
★★★★★

A provocatively intriguing title if there ever was one, Honk...

Matthew McMillan 14th June 2022
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Cannes
“I think I’m kind of a drug addict for image and sound coming together! I’m always putting images to sound and getting high”: An interview with Hlynur Pálmason, director of Godland

Selina Sondermann 13th June 2022
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Film festivals
Watcher
★★★★★

Watcher, the debut directorial feature from Chloe Okuno, deftly straddles the past and...

Matthew McMillan 13th June 2022
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Film festivals
Resurrection
★★★★★

Andrew Semans’s Resurrection, which closes a 10-year gap on his first feature,...

Matthew McMillan 10th June 2022
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Film festivals
Sharp Stick
★★★★★

The art of portraying vacuous characters on screen is a tricky beast. The best...

Matthew McMillan 9th June 2022
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Cannes
Leila’s Brothers: An interview with Saeed Roustayi

After his second feature, Just 6.5, was part of Venice’s Orrizonti...

Selina Sondermann 9th June 2022
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Cannes
Plan 75: An interview with director Chie Hayakawa

In 2018, Chie Hayakawa contributed a short film entitled Plan 75 to the...

Selina Sondermann 9th June 2022