On a Japanese underground train, a young man (Kazunari Ninomiya) notices another...

In Lucky Lu, Lloyd Lee Choi expands his 2022 short Same Old into a bruising...

Wes Anderson’s The Phoenician Scheme is an opulent, sprawling fever dream of monstrous...

Within its first, deceptively tranquil shot, Icelandic director Runar Runarsson’s fourth...

Parasol, a new cocktail bar in Dalston, has...

There’s a bitter irony in Thierry Klifa’s The Richest...

Wes Anderson’s The Phoenician Scheme is an opulent, sprawling fever...

In 1970s Brazil, there are sharks in the water – in more ways than one....

In The Bombing of Pan Am 103, the BBC’s six-part dramatisation of the 1988 Lockerbie...

Lynne Ramsay’s Die, My Love plunges deep into Southern Gothic territory, set...

After the success of his BAFTA-nominated short film Wren Boys, we finally see...

I Only Rest in the Storm, the second feature from Portuguese...

Growing up without a mother is difficult enough. One can’t even begin to...

With Jaws approaching its 50th anniversary, it’s tempting to watch any...

The world first heard of Coldplay in 1998, after the release...

The red carpet has always been a source of entertainment. Hollywood stars bring a sense...

Rather than trying to recreate Godard’s anarchic style, Richard Linklater...

At Cannes’ 2022 edition, Chie Hayakawa’s Plan 75 won a Special Mention for the...

Juno Mak’s Sons of the Neon Night is a paradox of a film –...

Harris Dickinson made his Cannes debut three years ago as the lead in Ruben...

There’s a primal tension in Wild Foxes (La danse des renards), Valéry...

Fatima (Nadia Melliti) is the youngest of three daughters in an Algerian...

By all accounts, The Plague could have been another moody coming-of-age tale...

Kristen Stewart’s first foray into directing is undoubtedly...