As Feste, fool to the countess Olivia and fourth wall buster in chief of...
From director Kelly Ann Stewart, Park Theatre’s Gawain and the...
When you think of the theatre at Christmas, what comes to mind is...
Mischief Theatre and their Cornley Drama Society alter-egos are...
Moor Hall, the three Michelin-starred...
On 13th December, London-based eatery...
It’s 1967 and Nigel Slater is just nine years old. He and his mother stand...
One of two touring versions of UB40 – the one featuring...
Exhibitions of work on paper sometimes feel a bit...
Home to one of the oldest settlers in history, Italy has witnessed people and cultures...
For any lovers of classic horror films that have you holding your...
Part paean to the possibilities of digital technology, part...
Born and raised in the cold Swedish capital of Stockholm, Lotta Lindgren – aka...
Nearly half a century has passed since the hugely...
Pah-La hasn’t been without controversy. All the way back at the start...
As Feste, fool to the countess Olivia and fourth wall buster in chief of Shakespeare’s immortal farce of identity confusion, Michael Grady-Hall enters in about as extravagant a fashion as one would wish. A cable-bound crooner in a shock of pale face paint, Hall is suspended far above the stage to deliver...




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