Culture Interviews Cinema & Tv

“I don’t like to feel confined by conventional boundaries”: Director Mariama Diallo on Master

“I don’t like to feel confined by conventional boundaries”: Director Mariama Diallo on Master
“I don’t like to feel confined by conventional boundaries”: Director Mariama Diallo on Master

Master is the debut feature from Mariama Diallo, a tense and taught horror film that tackles the issue of racial prejudice in universities. It follows the story of a group of black women at a prestigious New England university who have to deal with supernatural horrors and the very real manifestations of racism in academia.

Jasmine, a young black student who has just enrolled, must face racist pressure from her surroundings whilst also tackling the threat of an ancient legend that stalks her. Similarly, her new housemaster Gail must deal with personal subterfuge from her colleagues whilst confronting the terrifying occurrences that plague her new position. 

With an abundance of, not only real scares but also interesting characters, Master manages to be simultaneously exhilarating and engrossing. It has a fresh take on an established genre and most importantly, a lot to say on a very important issue. 

The Upcoming had a chat with its director Diallo about the film’s setting, its scares and how it related to her own personal experiences.

Joe Milo

Master is released on Amazon Prime Video on 18th March 2022.

Watch the trailer for Master here:

More in Cinema & Tv

Hackney’s Rio Cinema celebrates 50 years with six-month film programme and opening weekend party

The editorial unit

The ’Burbs returning to Sky and NOW for more suburban secrets and chaos

The editorial unit

Good Omens finale trailer teases one last showdown for Aziraphale and Crowley

The editorial unit

Kiss of the Spider Woman

Thomas Messner

Akira

Andrew Murray

Sunshine Women’s Choir

Mae Trumata

Big Mood Season 2

Antonia Georgiou

Grief and mystery collide in trailer for indie noir I’ve Seen All I Need to See

The editorial unit

Kidnapping, secrets and romance collide in first look at Ester Expósito’s Drawn Together

The editorial unit