Interviews

This September, recently opened...

Nawapol Thamrongrattanarit’s Human Resource flows with the rhythms of...

Teona Strugar Mitevska’s Mother is not a conventional biopic of Mother Teresa but...

Two years after Amanda, Carolina Cavalli’s sophomore feature,...

Who doesn’t know the spindly figures of Giacometti?...

The Conjuring franchise has added a new strand to its...

It’s 2025, and it seems that film festivals just got a new golden...

When we last saw Wednesday (Jenna Ortega) at the midway point of season two,...

Based on Albert Camus’s seminal novella, translated into The Stranger...

In 1980s Mexico, eight-year-old Roberta (Aurora Dávila) lives in a house with six...

Premiering at Venice before its HBO Max release, Marco Bellocchio’s Portobello...

Orfeo (Luca Vergoni) is playing piano at the club he performs at when he sees...

In Orphan, László Nemes fixes his unsparing gaze on 1957 Budapest, a city still raw...

Fads change quickly, but brands that endure understand how...

Andrea Di Stefano’s Il Maestro turns the conventions of the sports film on its...

Premiering in Venice as she is honoured with the Golden Lion for...

Set in Romania in 1989, at the tail-end of Nicolae Ceaușescu’s dictatorship,...

Orlando Bloom stars as an unnamed, retired boxer in Sean Ellis’s sports drama The Cut....

Mona Fastvold’s The Testament of Ann Lee undertakes the daunting...

Kamara, a new East...