Cannes
Eleanor the Great
Scarlett Johansson’s Eleanor the Great opens with the kind of friendship rarely given centre stage in cinema –…
By Christina YangSpecial
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Cannes
Highest 2 Lowest
Directed with his characteristic verve and defiance, Spike Lee’s Highest 2 Lowest begins as a crime thriller, only…
By Christina Yang
Cannes
Alpha
Four years after Spike Lee awarded Julia Ducournau the Palme d’Or for Titane, both directors return to Cannes…
By Selina Sondermann
Cannes
Exit 8
On a Japanese underground train, a young man (Kazunari Ninomiya) notices another passenger shouting at a mother with…
By Selina Sondermann
Cannes
Lucky Lu
In Lucky Lu, Lloyd Lee Choi expands his 2022 short Same Old into a bruising feature debut. Set…
By Christina Yang
Cannes
The Richest Woman in the World
There’s a bitter irony in Thierry Klifa’s The Richest Woman in the World (La femme la plus riche…
By Christina Yang
Cannes
The Phoenician Scheme
Wes Anderson’s The Phoenician Scheme is an opulent, sprawling fever dream of monstrous capitalists, fractured families and pastel-coloured…
By Christina Yang
Cannes
The Secret Agent
In 1970s Brazil, there are sharks in the water – in more ways than one. On a beach…
By Selina Sondermann
Cannes
Die, My Love
Lynne Ramsay’s Die, My Love plunges deep into Southern Gothic territory, set in an inherited Montana farmhouse, remote…
By Christina Yang
Cannes
Pillion
After the success of his BAFTA-nominated short film Wren Boys, we finally see British director Harry Lighton make…
By Selina Sondermann