Cannes
I Only Rest in the Storm
I Only Rest in the Storm, the second feature from Portuguese writer-director Pedro Pinho, follows Sérgio (Sérgio Coragem),…
By Andrew MurraySpecial
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Cannes
My Mom Jayne
Growing up without a mother is difficult enough. One can’t even begin to imagine how much harder it…
By Selina Sondermann
Cannes
Dangerous Animals
With Jaws approaching its 50th anniversary, it’s tempting to watch any film in the microgenre with an expectation…
By Christina Yang
Cannes
Nouvelle Vague
Rather than trying to recreate Godard’s anarchic style, Richard Linklater offers something more compelling in Nouvelle Vague: a…
By Christina Yang
Cannes
Renoir
At Cannes’ 2022 edition, Chie Hayakawa’s Plan 75 won a Special Mention for the Caméra d’Or, which honours outstanding…
By Selina Sondermann
Cannes
Sons of the Neon Night
Juno Mak’s Sons of the Neon Night is a paradox of a film – opulent in scale yet…
By Christina Yang
Cannes
Urchin
Harris Dickinson made his Cannes debut three years ago as the lead in Ruben Östlund’s Triangle of Sadness.…
By Selina Sondermann
Cannes
Wild Foxes
There’s a primal tension in Wild Foxes (La danse des renards), Valéry Carnoy’s close-quartered feature debut, which follows…
By Christina Yang
Cannes
The Little Sister
Fatima (Nadia Melliti) is the youngest of three daughters in an Algerian family living in France. She knows…
By Selina Sondermann
Cannes
The Plague
By all accounts, The Plague could have been another moody coming-of-age tale cloaked in indie thriller aesthetics. But…
By Christina Yang