As Feste, fool to the countess Olivia and fourth wall buster in chief of...
From director Kelly Ann Stewart, Park Theatre’s Gawain and the...
When you think of the theatre at Christmas, what comes to mind is...
Mischief Theatre and their Cornley Drama Society alter-egos are...
Moor Hall, the three Michelin-starred...
On 13th December, London-based eatery...
A palpable sense of antiquity pervades the tranquil, candlelit interior...
Set at the beginning of the Second World War, Good Night Mister Tom at...
There are echoes of Waiting for Godot in Harold Pinter’s 1959 play The...
Sunset Sons walk on to a background of sparkling LEDs and a maximum capacity crowd, opening...
What do you get when you take a play about a man bent on...
Now showing at PayneShurvell is the first solo show of...
After the success of previous live-action features of iconic animated movies such as Cinderella...
Waiting for X to begin, there’s an audible buzz of anticipation in the packed...
This one-room show at the National Gallery might well be the best free...
Once the fifth One Direction boy, now a solo standing artist, Zayn Malik releases...
As Feste, fool to the countess Olivia and fourth wall buster in chief of Shakespeare’s immortal farce of identity confusion, Michael Grady-Hall enters in about as extravagant a fashion as one would wish. A cable-bound crooner in a shock of pale face paint, Hall is suspended far above the stage to deliver...




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