As Feste, fool to the countess Olivia and fourth wall buster in chief of...
From director Kelly Ann Stewart, Park Theatre’s Gawain and the...
When you think of the theatre at Christmas, what comes to mind is...
Mischief Theatre and their Cornley Drama Society alter-egos are...
Moor Hall, the three Michelin-starred...
On 13th December, London-based eatery...
It is likely everyone has experienced that moment when a certain music is...
Tucked away from the rain, the stars arrived for the...
I Am Belfast is a rich and detailed visual essay, if one that occasionally loses focus under...
Over a decade has passed since the Broadway premiere of Jersey Boys, and the...
Staging a major work of Anton Chekhov is a perilous task, but a guaranteed...
There are restaurants that feed you well and there are restaurants that feed you...
A new circus is in town, and there really couldn’t be a...
The premise of Court is an extremely simple one: it’s a dramatised exploration of India’s...
As Feste, fool to the countess Olivia and fourth wall buster in chief of Shakespeare’s immortal farce of identity confusion, Michael Grady-Hall enters in about as extravagant a fashion as one would wish. A cable-bound crooner in a shock of pale face paint, Hall is suspended far above the stage to deliver...




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