The Plague By all accounts, The Plague could have been another moody coming-of-age tale...
Christina Yang 16th May 2025
Christina Yang 16th May 2025
Christina Yang 16th May 2025
The Wave From its thunderous opening number, The Wave (La ola) makes no attempt to ease the...
Christina Yang 16th May 2025
Eddington With Eddington, the first nameable title premieres in competition at the Cannes...
Selina Sondermann 16th May 2025
The Great Arch Stéphane Demoustier’s The Great Arch is, on the surface, a film about the...
Christina Yang 16th May 2025
Sunny Morgan 16th May 2025
Filippo L'Astorina, the Editor 16th May 2025
Dalloway In Dalloway, Yann Gozlan paints a cold, unsettling portrait of a near future where...
Christina Yang 16th May 2025
Benedetta Mancusi 16th May 2025
Sirât In his contender for the Palme d’Or, Spanish director Oliver Laxe takes us to the...
Selina Sondermann 15th May 2025
Andrew Murray 15th May 2025
The editorial unit 15th May 2025
Case 137 After 2022’s The Night of the 12th, Cannes is once again graced with a crime...
Selina Sondermann 15th May 2025
Christina Yang 15th May 2025
Ruweyda Sheik-Ali 15th May 2025
Christina Yang 15th May 2025
Two Prosecutors In Two Prosecutors (Два прокурори), Sergei Loznitsa transforms...
Christina Yang 15th May 2025
Food & Travel Desk 15th May 2025
Hallow Road Frank and Maddie (Matthew Rhys and Rosmund Pike) are stewing in the aftermath of a...
Andrew Murray 15th May 2025
Katherine Parry 14th May 2025
Christopher Connor 14th May 2025
Promis Le Ciel Opening the Un Certain Regard section at Cannes is French-Tunisian director...
Selina Sondermann 14th May 2025
Enzo In Enzo, Robin Campillo and the late Laurent Canter deliver a coming-of-age story that...
Christina Yang 14th May 2025
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