LATEST ARTICLES

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  Cannes

  “Never stop questioning”: Lubna Playoust on Room 999

  Room 999 is the documentary feature debut from...

  Sarah Bradbury 23rd May 2023
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  Lost in the Night (Perdidos en la Noche)

  Three years after the suspicious disappearance of...

  Selina Sondermann 23rd May 2023
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  “Why place refugees in deprived areas where the social infrastructure is already under pressure?”: Ken Loach on The Old Oak
  The editorial unit 22nd May 2023
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  Firebrand

  Even if Jude Law’s somewhat ruggedly attractive voice doesn’t always lend...

  Matthew McMillan 22nd May 2023
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  May December

  May December works on the level of narrative metaphysicality that Todd Haynes...

  Matthew McMillan 22nd May 2023
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  The Zone of Interest

  Scratch the surface of most art, and a study of duplexity will reveal...

  Matthew McMillan 21st May 2023
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  “I wanted to deconstruct the clichés around social drama”: Paloma Sermon-Daï on It’s Raining in the House
  Sarah Bradbury 21st May 2023
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  Killers of the Flower Moon

  It was the first film to be announced for this year’s lineup,...

  Selina Sondermann 20th May 2023
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  Cinema & Tv

  “These communities are not part of the American Dream”: Lisandro Alonso on Eureka

  Cannes Festival favourite...

  Sarah Bradbury 20th May 2023
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  About Dry Grasses (Kuru Otlar Üstüne)

  Samet (Denis Celiloğlu) is an art teacher currently...

  Selina Sondermann 20th May 2023