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Emmanuelle Marre’s A Man of His Time opens in September 1940 at a drunken gathering of French collaborators, with a woman complaining that her...
Arthur Harari’s The Unknown opens at a costume party, where David Zimmerman...
While discussions of migration tend to focus on young, single men, Laïla...
Lauriane Escaffre and Yvo Muller’s Women on Trial dramatises the landmark...
School shootings have emerged as a recurring subject in films this year, forming the...
In 2025, Stéphane Brizé served as a member of the official jury in...
May el-Toukhy made waves in 2019 with her sophomore feature Queen of Hearts,...
Emmanuelle Marre’s A Man of His Time opens in September 1940 at a...
Ira Sachs’s The Man I Love opens with a premise that seems deceptively...
It’s an eerily familiar spectacle. A reserved, dark-haired...
“Marianne died before we could finish this,” Tilda Swinton states...
Ever since Sadako crawled out of the TV during the climax of Ringu, curses and...
Adapted from Gary Owen’s one-woman play, Iphigenia in Splott, Marc...
A Kurdish village in Eastern Turkey is split in two: Upper Pingan, on the...
In a veritable display of saving the best for last, the final film premiering in...
In Yo, documentary filmmaker Anna Fitch and her...
An indigenous language dies once every 40 days, and with it goes a sense of...
As Sundance Film Festival 2024 celebrates its 40-year anniversary,...
“We’re telling a love story,” so the self-designated...
Under the Volcano, the prize-winning second feature film from...
A seamless blend of fiction and documentary...
Alongside being heavily associated with evil spirits and jump scares,...
Directed by and starring Murat Fıratoğlu in his...
Harris Dickinson made his Cannes debut three years ago as the lead in Ruben...
There’s a primal tension in Wild Foxes (La danse des renards), Valéry...
Fatima (Nadia Melliti) is the youngest of three daughters in an Algerian...
By all accounts, The Plague could have been another moody coming-of-age tale...
Kristen Stewart’s first foray into directing is undoubtedly...
Bono: Stories of Surrender paints a strikingly intimate portrait...
From its thunderous opening number, The Wave (La ola) makes no attempt to ease the...
With Eddington, the first nameable title premieres in competition at the Cannes...
Stéphane Demoustier’s The Great Arch is, on the surface, a film about the...
In Dalloway, Yann Gozlan paints a cold, unsettling portrait of a near future where...
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