The Tricks are an unpretentious, slightly starry-eyed four-piece...
Moon Project is a captivating new piece from Stillpoint Theatre, devised by Rachel...
Welcomed with a ten-minute ovation and even some tears at the Venice Film Festival last...
Documenting the early days of the 1980’s AIDS epidemic, there’s no question...
Pure Heroine has an addictive edge to it. It’s tense, yet relaxed. It’s danceable...
Under the Bridge is a small, intimate venue that allows for real interaction between fans...
Robbie Boyd hasn’t had a bad year – he supported McFly and The Feeling at...
Although he is escorted by four band members, Ásgeir Trausti seems isolated on the small...
Six years ago, The Pigeon Detectives’ first album reached number three in...
The auditorium at the Royal Institution of Great...
Before the discourse around toxic relationships entered the cultural lexicon, there was the visceral embodiment of toxic co-dependency via Martha and George in Who’s Afraid of Virginia Woolf?. Edward Albee’s seminal play was famously adapted into a film with Elizabeth Taylor and Richard Burton, themselves locked in marital tumult. Now, in Marianne...
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