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Emmanuelle Marre’s A Man of His Time opens in September 1940 at a drunken gathering of French collaborators, with a woman complaining that her...
Sofia Coppola has brought to Cannes a confident, simmering picture of sexual...
Drunks are no more tedious and irritating than when a person...
Jane Campion’s Top of the Lake is back, a powerfully feminist...
What starts as a fascinating treatise on dislocation and transient identities in the...
Naomi Kawase has brought to...
Naomi Kawase has produced a gentle, sometimes thoughtful observation on...
Is Michael Haneke making fun of himself or us with Happy End? The maestro of...
Poor Al Gore. Ever since he stepped into...
Once upon a time, Kiyoshi Kurosawa made films...
André Téchiné is a legendary filmmaker, and given the...
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