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Emmanuelle Marre’s A Man of His Time opens in September 1940 at a drunken gathering of French collaborators, with a woman complaining that her...
Director Leonardo Di Constanzo offers Naples as the setting...
Roberto De Paolis’s debut feature is an engaging tale of teenage...
Jacques Doillon’s Rodin is the first outright clunker of Cannes, a turgid...
Drunks are no more tedious and irritating than when a person...
Sofia Coppola has brought to Cannes a confident, simmering picture of sexual...
Jane Campion’s Top of the Lake is back, a powerfully feminist...
What starts as a fascinating treatise on dislocation and transient identities in the...
Naomi Kawase has brought to...
Naomi Kawase has produced a gentle, sometimes thoughtful observation on...
Is Michael Haneke making fun of himself or us with Happy End? The maestro of...
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