This month, the London International Mime Festival arrives in London...
Cirque du Soleil’s reputation precedes it. The audience knows to...
In a decade oversubscribed with crude comedy, courtesy of the likes of Dapper...
Fascinating Aïda the musical-comedy parlour act...
In the intimate setting of the back room of Looking...
Donmar Warehouse’s revival of City of Angels, the relatively modern...
During its first West End run in 2006, Wicked grabbed a certain section of...
Almost, Maine, written by John Cariani and presented by Go People, is a romance, or...
A new version of the 1946 holiday classic It’s a Wonderful Life...
The Winter’s Tale is not the most remembered of works in...
Last night the 25th anniversary of the British...
Three years after its sell-out debut, award-winning playwright Nina...
Director Rupert Goold’s adaptation of Shakespeare’s debatably most...
Booty and the Biatch is the latest pantomime from Excess All Areas. It’s an...
Us humans have Father Christmas to bring us our gifts on...
Mike Bartlett’s King Charles III is currently playing at the...
Miss Havisham’s Expectations is an ambitious...
James Swanton’s one-man dramatisation of Charles Dickens’...
The makers of the surprising West End success Potted Potter have now quite...
The world in which 1927’s shows take place is vivid and utterly unique. Conjured from...
The opening scene of Nutcracker paints a picture-perfect Christmas day. Young and...
“I no longer understand this world – now trust is seen as stupidity,...
The Way Back Home is an opera for children, based on artist and illustrator...
James Acaster has brought his critically acclaimed Fringe show,...
Audience participation in comedy is hard to perfect. It can be aimless, mean...
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