Amélie at the Other Palace

If you liked Amélie, Jean-Pierre Jeunet’s endlessly quirky 2001 rom-com, then...

Midnight Movie at the Royal Court Theatre

It’s rare that audiences are presented with a positive image of...

A Christmas Carol at Immersive LDN

A blast of Christmas joy and merriment awaits those who venture into...

An Act of God at the Vaults

In this strange 90-minute satire, God discussed with us her life’s work, her...

Messiah at Stratford Circus Arts Centre

Messiah is Bear Trap Theatre’s tribute to Fred Hampton, the...

You Game at RADA Studios

How do you take a nearly 50-year-old Tony Award-winning play and reinvigorate it for...

The Greatest Play in the History of the World at Trafalgar Studios

Mixing a narration of the launch of the...

Candida at Orange Tree Theatre

“Love involves a peculiar unfathomable combination of understanding and...

My Brilliant Friend at the National Theatre

The task of translating Elena Ferrante’s quartet of Neapolitan...

The Arrival at Bush Theatre

It is already a known fact that Bijan Sheibani (Barber Shop Chronicles, Dance...

White Christmas at Dominion Theatre

Bringing Christmas home early, White Christmas at the Dominion Theatre is a...

The Lion, the Witch and the Wardrobe at the Bridge Theatre

It’s painful to say this as someone who, as a...

Richard III at Sam Wanamaker Playhouse

Shakespeare’s historical plays invariably offer plenty of food for...

Henry VI at Sam Wanamaker Playhouse

Henry VI (Jonathan Broadbent) is a gentle king whose frailty provokes...

Losing the Night at the Roundhouse

Cecilia Knapp’s Losing the Night, a fine play with plenty of great...

& Juliet at Shaftesbury Theatre

The hugely anticipated musical & Juliet makes its debut at the...

A Letter to a Friend in Gaza at the Coronet Theatre

In the silence of waiting for something, music can be a...

“I wanted to look at bereavement through the eyes of other people as well as through my own”: An interview with Losing the Night playwright Cecilia Knapp

Why Shouldn’t I Go? at London Irish Centre

This one-woman play, written and performed by Janet Behan and...

Touching the Void at the Duke of York’s Theatre

Tales of survival have an appeal like no other type of...

Measure for Measure at the Barbican

The opening moment of RSC’s Measure for Measure at the Barbican sees...

La Clique at the Leicester Square Speigetent

Have you ever seen someone swallow six swords? You will if you...

Mary Poppins at Prince Edward Theatre

Living in the shadow of the original 1964 movie Mary Poppins isn’t...

All’s Well that Ends Well at Jermyn Street Theatre

Artistic director Tom Littler’s modernised...

Brother Insect at Camden People’s Theatre

Brother Insect is a simple and playful attempt by two...