Interviews

Buzzing with plenty of energy, What Was Left is an ambitious play that...

Lev Dodin brings Maly Drama Theatre of St Petersburg to London with his...

After Dark’s plot, director Phil Willmott...

This month Southwark Playhouse is host to The Andrew Lloyd Webber Foundation...

Dan Daniel’s original production of The Knot is a quick and cutting...

Hit Broadway musical The Light in the Piazza makes its London...

“The complicity of the people is the great miracle of the Third...

Faced with apparent rejection by her...

Married life suits mental health support worker Trish Mott (Lia...

What if the wolf could fly and the bird was afraid of flight? Is it...

Dark and disquieting, Hansel and Gretel is one of the...

Sometimes even the best production cannot save a play. Here we have a very...

In The Unpassing, Chia-Chia Lin has her main character, the child of Taiwanese...

The year is 2020 and Brexit is now in its fourth year of negotiations. Adam...

Transferring from the Abbey Theatre Dublin, Citysong, playwright Dylan Coburn Gray’s...

Does artificial intelligence know what it’s like to be them? Are they...

This is an interesting collaboration with a live rock band, but ultimately a...

Yasmin Joseph’s J’Ouvert imagines carnival in Notting Hill through the...

Those who have ever perused the UK Government website in search of visa...

Pictures of Dorian Gray is a delightfully faithful adaptation...

There are Trump plays. There are Brexit plays. And then there are those plays that...

Shakespeare is a constant fixture of the London theatre...

The Orange Tree Theatre in Richmond lends itself well to While the...