Interviews

Dreamgirls first opened in Broadway 35 years ago and it has been revived various...

Sometimes it’s easy to forget the true meaning of Christmas. In...

A play without a name was written by Anton Chekhov when he was around 20...

What is love? Where can we find meaning in life? What does it take to...

Kiki’s Delivery Service tells the story of a young witch...

This latest tour of Jonathan Larson’s Rent is billed not only as a celebration...

Considering in 2016 the National Theatre’s Dorfman has staged both an...

Ivo van Hove’s Hedda Gabler is a transfer of sorts, sharing much with...

The Screwtape Letters is a satire ripped faithfully from the pages of one...

“And I like big parties.” Whether you’ve read F Scott...

It could be said that The Maria studio space at the Young Vic is an...

The theatre’s intimate space is here exploited through the audience’s...

“Politics, pride and a sinister bet,” reads the flier accompanying Who Said...

Featured at this year’s Camden Fringe, Heloise Werner...

Mayhem, madness and merry-making, both scripted and un-scripted,...

Licensed to Ill is a riotous 75 minutes in the oldskool land of hip-hop...

More than three decades after Dick King-Smith’s beloved book was...

“I’m eternal youth,” exclaims Peter Pan in a production that...

Sat at a table full of audio equipment, and bearing a very slight resemblance to...

Sam Shepard’s 1978 Pulitzer Prize-winning play Buried Child is the quietly...

Ever since La Ronde was first written at the turn of the 20th century, it...

Sports Direct then BHS, the latest capitalist malpractice has...

An elegant alternative to London’s...

This tongue-in-cheek, bodice-ripping musical is superbly fun. In a...

Sitting somewhere between a one-man show, a university lecture and a night at a mate’s...