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It’s that time of year again: the smell of pumpkin spice is in the air, and IP-loving Hollywood is conjuring up its recipe for...
Noël Coward’s Still Life is the short play that inspired David...
“I’d like to be thought of as a reporter, not a Black reporter,” says...
Benedict Andrews’s new production for the National Theatre walks a...
PurpleDoor’s Romeo. Juliet at the Camden Fringe...
Sycamore, the Italian restaurant at the Middle Eight...
The Chop has opened on Weston Street in London Bridge, serving a menu of...
Seven Dials Market is marking its seventh birthday this...
Eduard Lewis, director of Caught (at the Pleasance Theatre,...
Osteria Francescana is a major...
The inflow of migrants crossing the Mediterranean and arriving in precarious,...
“Dedicated to all the people whose song we’ll...
With a gutsy, go-getting, and occasionally funny female lead, The Boss is dripping with potential, a...
In one sense, Where to Invade Next finds master documentarian Michael Moore in familiar...
The Stanford Prison Experiment delves into the core of the human psyche, exploring...
There’s a glistening, magical aura around the name Studio Ghibli. It is a film studio...
As if churning out play after critically acclaimed play were not enough,...
The emergence of quasi-punk indie rock group Catfish and the Bottlemen...
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